Feb 4 2012

Carter Bays & Craig Thomas on “How I Met Your Mother”

Recently, I produced coverage of An Evening with Carter Bays and Craig Thomas, co-creators and co-executive producers of the television comedy, “How I Met Your Mother” (CBS) at the Paley Center for Media in Los Angeles. The event was hosted by Michael Roth, President of Wesleyan University, and Jeremy Zimmer, Founding Partner and Managing Director of United Talent Agency. Here is a brief highlights video, edited by Ben Travers.

Look for the Conversation video, containing insights into the success of Carter’s and Craig’s television comedy series, soon to be released.


Jan 24 2012

Tablet and E-Reader Sales Soar

On a recent flight across the country, at least one in every 12 passengers were either reading or watching entertainment on tablets or smartphones. About 40% of these were reading books. About 1 in every 25 passengers were reading traditional books. This personal observation is anecdotal, of course, but it made an impression. That e-readers are becoming the new norm as personal digital devices become more intuitive, adaptive to personal needs, reliable and affordable is no longer news.

Then, a report from Pew Research and the American Life Project was released yesterday. The take-away from the NYTimes article: tablet and e-reader sales doubled over the last year.  Adult users increased from 10% of adults in Dec 2011 to 19% of adults in December 2012.  Increased ownership of tablets is especially pronounced among highly educated users with household incomes exceeding $75,000. In fact, nearly one third of people with college degrees own tablets.

As a writer, I’m pleased to see that many people are choosing to read when they have the opportunity. How they choose to read helps inform my thinking about how my stories should read on the page vs. screen, and where to allocate my time and resources.

Related Article

Table and E-Reader Sales Soar  |  NYTimes

 


Jan 3 2012

Read SAINT On NOOK

I’m happy to announce that SAINT, my novel about resurrection of human memory via biogenetics and neuroscience, is now available at Barnes & Noble for download to the Nook Simple Touch, Nook Color and Nook Tablet.

Get SAINT at the NOOK Book Store right now!

 


Dec 27 2011

Read SAINT On KINDLE

The experiment 2,000 years in the making…

SAINT - The novel of intrigue - e-Book edition

 

Biogeneticist Andrew Shepard resurrects the memory of an ancient in a living human subject. Simon Peter is reborn.

For the faithful, it is a miracle. For the world’s political and spiritual leaders, it is a crisis. For humankind, it changes everything.

Peter escapes from the BioGenera lab in a desperate attempt to return to Rome and to confront the Pontiff, while being stalked by an assassin intent on silencing him once and for all.

First e-book edition

 

SAINT, my novel about the resurrection of human memory via biogenetics and neuroscience, is now available for download to the Kindle and Kindle-friendly devices including the iPhone, iPad, Mac, Droid and PC.

Read SAINT on Kindle 

 

Related Links

Kindle & The Evolution of a Writer

 


Nov 16 2011

Novelist Ann Patchett Opens Bookstore in Nashville

Novelists are an adventurous breed. So are their readers.

For readers, all that is left after the decline, fall, and selling-off of Borders bookstores down to the fixtures, is grief. And memories of what a bookstore can mean to our quality of life. So many of my favorite weekend moments were spent in the stacks at my local Borders. Knowledgeable sales staff, friendly fellow explorers on the path to enlightenment picking through towering shelves of books, looking for one book, discovering dozens of others that informed new directions in their journey.

Sales of e-books surpassed sales of physical books earlier this year. This isn’t a trend. We all know that our relationship to the written word is evolving. Schoolchildren totally get it; why carry a heavy backpack of textbooks when they can carry all the texts they will ever need in a featherlight tablet?  So what is the value of ink on paper? Sentimentalism?  For some, perhaps. For many, it is something deeper, much like the preference for live theater over cinema, or cinema over television, or television over netcast. For some, it is a physical connection, a tactile interaction with the process of reading. Like peeling back the layers of clues in a good mystery.

So what is to become of the book loyalist? Where is s/he to go? There is Amazon, of course. And Abe’s, Powell’s, Tattered Cover, Book Barn, B&N and others. Those are distant purveyors. The wandering weekend explorer has fewer options.

Karen Hayes and Ann Patchett

Karen Hayes and Ann Patchett open Parnassus Books. Photo: Josh Anderson, New York Times

Now, in an interesting new reaction to digital media and the vanishing bookstore experience, we have the novelist opening a book store, a bricks and mortar emporium of the printed word. Whether Ann Patchett’s new Parnassus Books in Nashville is the start of a new stage of publishing and distribution, or a quaint exhibit on the timeline of literature’s evolution is to be seen. I hope it is the opening sentence in a powerful and engaging new story.

Related link

Julie Bosman | NYT:  Novelist Fights the Tide by Opening a Bookstore


Oct 29 2011

Amazon Signs Up Authors, Writing Publishers Out of Deal

For Publishers, It’s Time To Adapt 

The rising wave of manuscripts moving from writers’ keyboards direct to readers’ hands built momentum recently. In case you missed the rumble of the latest break in this evolutionary cycle, Amazon has entered into publishing, both electronic and traditional paper.  In fact, it is committed to publishing 122 books this fall.

Publishers’ responses to Amazon’s publishing authors directly is reminiscent in some cases of the record industry’s response to iTunes’ disruption of its business model in 2001.

David Streitfeld’s article in the NYT captures a sense of the moment.
Other articles by David Streitfeld

Aug 13 2011

Publishers Are Recovering

While All About Them Are Losing Their Heads…

Forget the myths: television did not doom the Hollywood blockbuster; video did not kill the radio star; the Internet is not ending the prime-time sitcom; and e-books will not shutter the publishing industry.

According to the recently released comprehensive survey, BookStats, the publishing industry expanded over the last three years while housing, autos, banking, the television networks, and our political institutions faltered.

Each industry adapted, some more successfully than others. Darwin’s theory of Evolution pertains. The weakest properties, channels, and business models have suffered, some to extinction — remember Microsoft BOB (1995)? Yet, good ideas took root. Smart, passionate innovators made them better with positive results. New media are multiplying audiences. Case in point: digital e-Readers.

Partly as a result of the sizzling pace of improvement of digital book devices and software, the e-book has rescued publishers, at least those able to perceive that consumer needs were changing and they could either adapt or find another line of work.  Unlike the recording industry’s resistance to home cassette recording and then Internet music sharing, the publishing industry saw the writing on the screen and a few publishers recalibrated their attitude and business model.

“We’re seeing a resurgence, and we’re seeing it across all markets — trade, academic, professional,” says Tina Jordan, vice president of the Association of American Publishers. “In each category we’re seeing growth.”

The Association of American Publishers and the Book Industry Study Group collaborated on the report, collecting data from 1,963 publishers the trade, K-12 school, higher education, professional and scholarly categories.

For the entire article in the New York Times, see  http://www.nytimes.com/2011/08/09/books/survey-shows-publishing-expanded-since-2008.html.

 


Jul 10 2011

IN THE WAKE | Per Petterson

When the Old Life is Gone

Per Petterson’s novel of personal grief, guilt and redemption is palpably authentic as release, if not renewal.

Petterson’s set-up is inventive – Arvid Jansen regains consciousness pressed against a bookstore’s closed glass door – and his writing is masterful. He hews close to a minimalist style with just enough character bubbling through to reinforce our sense of the narrator as human, in pain, and shouldering on. Arvid is flawed, not very much of the good person most of us hope for ourselves, yet he possesses the strength of the genuine loner. He is not railing against God or others. He is just afloat and fighting the drift.

Disoriented and beside himself, Arvid is buffeted by flashes of sorrow. We discover that his parents and brother are dead, killed in a ferry fire that was nearly his own fate. He is estranged from his wife and daughters, one of whom recognizes her father’s free fall and is showing signs of  the girl child mothering the grown man. Arvid navigates turbulent dark emotions, confronts the paralyzing losses, climbs back to his feet and takes the first courageous steps toward resumption of life. Not his former life, for that is utterly gone, but a life to be lived.

IN THE WAKE is the novel that Petterson wrote prior to his breakout bestseller, OUT STEALING HORSES, which is a more restrained and ultimately more timeless work.

 


Jun 14 2011

2011 Amazon Breakthrough Novel Award Winners

Congratulations to the two winners of the 2011 Amazon Breakthrough Novel Award.

Winner: General Fiction:

East of Denver by Gregory Hill

Winner: Young Adult Fiction:

Spookygirl by Jill Baguchinsky

Read by Amazon Vine reviewers, Publisher’s Weekly reviewers, Penguin editors, and ABNA expert panelists–and voted on by Amazon customers–the two winning authors have each been awarded a publishing contract with Penguin, which includes a $15,000 advance. The announcement was made in Seattle.

There were three finalists in each category. The other four finalists were Lucian Morgan, Phyllis T. Smith, Cara Bertrand, and Richard Larson.


Apr 22 2011

Storyselling: The Query

It is time to shake off the writing routine of the last year, and turn to marketing.

Storytelling to Storyselling

The discipline, focus, and skills that were so essential while writing the novel must now make way for business demands and professional responsibilities. Characters that have been present in every waking thought for so long now have competition for my attention. And so it is with sharpened senses; heightened awareness of current events, business trends, cultural tremors; and unflinching focus on the mission that I turn my attention to the all-important query.

A good query letter is a blend of copywriting, letter writing, business writing, and the finest creative brief writing, all balanced for clarity and purpose. A great query letter rises above to the level of message that ignites the imagination. This hybrid of writing craft and style is an Everest of a challenge. It must inform, establish credibility, entertain, and entice. The craft part can be fun. It is energizing to chisel away at the non-essential content in my drafts, like Michelangelo did with his block of Carrara marble 500 years ago until David stood naked in the piazza, as if he’d only been waiting for release from the stone. The art exists inside the clutter, and each bit of unnecessary verbiage that is cut away sharpens focus.

The first draft usually has a kernel of the desired power in it. There is a sense of the story’s marketing potential, yet this aspect requires different intellectual tools and skills that often feel foreign to the author who has for the past year been so immersed in research, experimentation, and passionate story-weaving. My letter may have have excellence within in it, yet seen from this new perspective, more work is needed to separate the wheat from the non-essential chaff.

My approach is to aim for three paragraphs:

Hook – the unique value proposition my book offers expressed in a succinct and engaging statement that captures the big idea in a way that resonates immediately;

Core elements - my book described in three talking points; and

Credits – a relevant professional credential to reinforce the confidence instilled in the preceding two paragraphs.

The goal is to spare the reader any of the process of the book’s creation.  It should be lean and purposeful, a clarion call to the reader to engage in the book.

No one knows the winning formula for the perfect query letter.  Like any relationship, the successful query is a happy mystery. A convergence of desire, hope, stagecraft, sincerity, belief, facts, fiction, charm, shared aspiration, willing suspension of disbelief, drama, humor, strength, vulnerability, intellect, nerve, sensory awareness, risk, hunger, selflessness, selfishness, and luck. It is ethereal and elemental. Ephemera and permanence. The editor dearly wants to be surprised and yet, to open themselves to surprise, first they must trust. If the letter arrived in a quality paper envelope, the address legible, the letter intact, and the single page inside emerges into the rarefied light of their office not too dense with gray type, you have metaphorically caught your correspondent’s eye and made it across the miles to stand before them.

Now what?

Who are you?

If this is my initial contact, I go for an arresting statement of fact that captures the essence of the book. If this is my response to their request for an outline or sample chapters, I remind him/her that I am responding to his/her request. Next, a spark of light on my credits. Something about why he/she can trust my work.

Then, that lean, mean, irresistible pitch in an understated, to-the-heart-of-it flow about secrets this book reveals, and where it takes the adventurous reader.

If I feel up to risking my reader’s patience with an extra paragraph, I’ll explain how my proposed book stands apart. I’m on thin ice here, but if I have the right stuff – a reference to one of his/her client’s works to which my work has a meaningful connection, for example – I may attract enough interest to inspire a second reading, and a sense of me that resonates a day or two later.

Finally, a simple and sincere request to send them a few sample chapters. Perhaps the entire manuscript? (This alerts the reader that the manuscript is complete.) Thank you, (editor’s name HERE). I look forward to hearing from you.

Sincerely yours, (judge for yourself whether sincerely is on pitch). Have you established an authentic connection for which sincerely is appropriate and reinforcing? If so, then sign off sincerely. If not, leave well enough alone and end with Thank You.

Sincerely,

M.R.